Paintings - Brinskikh Boris Aleksandrovich - Uktam Saidov - Valikhodjaev Ibragim

(1924-1998)

Soviet painter and graphic artist, professor. Honored Artist of the Uzbek SSR. He graduated from the republican art school in Tashkent (1948). Member of the Union of Artists of the Uzbek SSR, Professor

The favorite motives of Boris Brynsky are the old city of Tashkent, its streets, surrounding gardens and mosques. The artist paid special attention to the daily life of the eastern city and correctly noticed its peculiar features. The characteristic features of Central Asia - adobe houses, duval, majestic plane trees, silvery-green poplars, depicted by the artist - give the paintings a national specificity. His works are perceived as bright, lively scenes of their people's lives.

Participated in exhibitions since 1954. The artist's works are kept in a number of museum collections, among them the State Tretyakov Gallery, the State Art Museum of Uzbekistan (Tashkent), the Bukhara Museum of Local History and History; in the art galleries of Austria, Finland, France, Japan; in private collections, including in the United States.

Uktam Saidov was born in 1980 in Urgench, in a family of artisans. In 1997 he graduated from the gymnasium of arts №24 in Urgench.
In 1997 he entered the National Institute of Arts and Design named after K. Begzad. In 2002 he graduated from the bachelor's department with excellent marks, and immediately entered the magistracy, also graduating with honors. His mentors and guides in art are famous artists - academicians Mannon Saidov, Negmat Kuziboev, Rakhim Akhmedov, artist Muhammad Nuriddinov.
He is currently a teacher of drawing at the sculpture department of the National Institute of Arts and Design.

Creative activity:

• 2007 - Member of the Creative Association of Artists of the Academy of Arts of Uzbekistan.
• Since 2003 has been actively participating in all republican and other exhibitions:
• In 2004, the exhibition “Teacher and student. The traditional realistic school of R. Akhmedov ”.
• 2007 project “Constellation Postscript”.
• 2007 "Fine Arts Week"
• 2008 Diploma of the 1st degree in the exhibition “The Shining of Art in Coins”
• 2008 "Week of Fine Arts"
• 2008 Youth exhibition “What are we thinking”
• 2008 The third traditional and modern art festival "Navkiron Uzbekiston"
• 2009 "Week of Fine Arts"
• 2009 Exhibition "Eng uluk eng aziz"
• 2009 “My beautiful Tashkent”. Exhibition dedicated to the 2,200th anniversary of Tashkent.
• 2009 Traditional and Contemporary Arts Festival “Navqiron Uzbekiston.
• 2009 - Fifth Tashkent Biennale of Contemporary Art.
• 2010 exhibition "Landscapes of the native land"
• 2010 Traditional Arts Festival "Navkiron Uzbekiston"
• 2011 Exhibition dedicated to Spring.
• 2011. Participation in the International Tashkent Biennale and other creative exhibitions.
• 2017 "Week of Fine Arts"
• 2019 Traditional and modern arts festival “Navqiron Uzbekiston.
Artist-painter, a member of the Creative Association of Artists at the Academy of Fine Arts of Uzbekistan.
The name of Ibrahim Valikhodzhaev is among the most interesting and famous artists of Uzbekistan.
Works are in the museums of Uzbekistan: the State Museum of Arts, the Directorate of Art Exhibitions at the Ministry of Culture of Uzbekistan in Tashkent, regional museums of local lore in the cities of Ak-Kurgan and Namangan, as well as in private collections and galleries of the USA, Canada, Italy, Germany, The Philippines, South Korea, and others.
The main theme of his work is the images of his contemporaries, everything that surrounds them and how they live - character characters, everyday life, various manifestations of everyday life. Personal attitude to this he manifests in various genre compositions, numerous portraits, still lifes, landscapes.
In his works he leaves a priority behind painting. With an enthusiastically experimenting with color, his own inner flair guesses and compares, seemingly, incomparable, as, for example, in a well-known series of works devoted to the theme of the Namangan bazaar, the last portraits where he combines or boldly confronts contrasting, locally taken, picturesque spots. As a result, bright decorative canvases are born that carry the color and warmth of the native Uzbek land. Or, on the contrary, these are works in which he solves the most complex color problems with the finest nuances of transitions and combinations of warm and cold tones. They are muffled and extraordinarily beautiful in the general picturesque solution.